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Singing under cardboard

To undertake a concert tour of New Zealand’s cathedrals at the moment is to be constantly reminded of the destructive power of nature and how dogged people can be when the chips are down. The list of...

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Conduct becoming

‘Have a look at this,’ says Daniel Harding, goggle-eyed, between mouthfuls of salmon. The pictures on his smartphone show Claudio Abbado, one of his mentors, conducting the Berlin Philharmonic in...

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Trivial moaning

There is much to be said for Schadenfreude. (If it was edible, it would be a meal in a very expensive restaurant, for which someone else was paying.) So it’s probably inadvertently that Morrissey has...

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Remembering John Tavener

When I first met John Tavener in 1977, he was still largely known for his dramatic cantata The Whale, which had been performed at the Proms in 1969. By then both John and his Whale had acquired...

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Notes on a scandal

While the airwaves resonate with celebrations of Britten’s birth, I cannot help thinking that what was happening in Paris at that very moment was light-years away, not only from Lowestoft, but also...

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Beauty without consolation

Beethoven’s Hammerklavier Sonata is thrilling and brain-twisting. Its nickname derives from the fact that it was published as a sonata ‘for the hammer-action keyboard’, which just means a piano. But...

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That’s what I call music

Albums of the year? What a good question. Some years we can answer it, some years we can’t. The essence of pop music is its newness, its absolute determination to upgrade itself and keep on upgrading...

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The music of innocence

The most celebrated Christmas carol, ‘Silent Night’, belongs to Austria. Father Joseph Mohr, the priest at Oberndorf, a small village near Salzburg, wrote it in 1818. Set to music by Franz Xaver...

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Major to minor

Looking through the list of composers who celebrate some sort of anniversary in 2014 is a depressing business. I don’t think I have ever seen such an anonymous collection of small-time nobodies, and...

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Seasonal torture

Three months until spring. Four months until the start of the cricket season. And only nine months until the radio starts playing ‘Merry Xmas Everybody’ again. Or have you heard enough of Christmas...

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An irrepressible spirit

As Lang Lang walked from the stage at the Royal Albert Hall in November, a little girl emerged from the audience to embrace him. It was a disarming moment that seemed to symbolise the impact of the...

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Collecting compulsion

About 30 years ago, not long before he died, my father bought an LP of Sir Clifford Curzon playing Schubert’s last piano sonata, in B flat D960. He was slightly defensive about the purchase. You see,...

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Farewell, Claudio Abbado

Fellini’s credo ‘the visionary is the only true realist’ could also be applied to the life of Claudio Abbado, who died earlier this week in Bologna at the age of 80. It would be wrong to think of...

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Codes of conduct

Not long ago the great conductors of classical music were general practitioners. They expected to give satisfactory interpretations of music written from the beginnings of symphonic composition to the...

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The real thing

Every musical career has its own narrative, and most of them include at least one comeback. To come back, you first have to go away; then you have to stay away; and finally, when everyone has forgotten...

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Sacred songs

I love a good hymn, so long as I’m not expected to sing it. Lusty declarations of faith sound ridiculous coming out of my mouth and embarrass the hell out of me, so I pretend that I’ve forgotten to...

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Bring on the young

One of the unlooked-for side effects of the financial crisis has been what might be called the desocialising of music funding. Whereas once many arts organisations could expect to survive solely on...

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The torture of earworms

Earworm: what a wonderful word. It describes, as nothing else quite can, the effect a really invasive melody can have on your consciousness. Hear the song once and you will hear it again and again, on...

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The Menuhin test

‘The truth is,’ says Gordon Back, lowering his voice, ‘that if the violin finalists from the BBC Young Musician of the Year were to enter the Menuhin Competition, they wouldn’t make it to the first...

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Bad behaviour

W.H.Auden once wrote: ‘Real artists are not nice people. All their best feelings go into their work and life has the residue’ — which puts those who aspire to be artists in a bit of a quandary. Is it a...

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Old man’s game

It is coming to something when relatively young pop stars die not of drugs or misadventure but, essentially, of old age and decay. Frankie Knuckles, the house DJ and producer, breathed his last...

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Power of ritual

This week, I have been mostly listening to Parsifal. Not the St Matthew Passion, which is my usual Passiontide fare. And, boy, it’s been quite an experience. You have to be in the mood for the Bach,...

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Perfect harmony

To curate a festival these days is to put oneself in the firing line. There is every chance that all one will earn is the charge of stirring up apathy. It is a risk; and there will be no knowing how it...

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Not guilty

The film critic Anne Billson wrote a typically pugnacious piece recently about the phrase ‘guilty pleasures’, which has spread like Japanese knotweed beyond its origins in pop music and taken root...

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Running out of time

If I live as long as my father, I’ll be checking out on 9 December 2017. Since every man in my family drops dead of a heart attack at a ridiculously young age, it’s not inconceivable. I mean, obviously...

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Worshipping Bach

When I was first learning about classical music, 50 years ago, the scene was more streamlined than it is now. Beethoven was king, with Brahms and Mozart next in line, and Haydn slowly establishing...

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Hopkins to the rescue

It’s a long time, a very, very long time, since I bought a Coldplay album. Has any band of the past 20 years been so consistently irritating? Oasis were aggressively annoying, which isn’t the same...

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Inspired messiness

Can you tell how intelligent a musician is by listening to him play? Last year I discovered a recording of Schumann’s Piano Sonata No. 3 in F minor, a sprawling and spidery work that can fall apart...

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Glorious Glastonbury

‘Charlie. E. Powder,’ said the friendly, helpful man working his way through the crowd during the mindblowing Friday-night headline set by the American dubstep DJ Skrillex. I looked wistfully at his...

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The Wright stuff

Roger Wright’s precipitate departure from both Radio Three and the Proms came as a surprise. At first the news was that he would go at the end of the season, but then it became apparent he was leaving...

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Keep it clean

I am still listening to the new Coldplay album, and liking it more and more, and not just because everyone keeps telling me how terrible it is. There is perversity in all enthusiasm, for sure, but the...

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Handling Handel

The Hallelujah Chorus crops up in the most unexpected places, says Michael Marissen in his new book about Handel’s Messiah. For example, it’s used in a TV ad ‘depicting frantic bears’ ecstatic relief...

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Pitch perfect

To go from the second day of the England v. India Test match at Lord’s to the Albert Hall for the opening night of the Proms was to make a journey that a chosen few might find enviable. Nonetheless,...

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Family ties

One of the many delightful aspects of having children is that you can get them to do things you are too old, lazy or important to do yourself. My disinclination to attend any sort of music festival,...

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‘Ashtray Annie’

This year marks the centenary of a pianist whom London orchestral players nicknamed ‘Ashtray Annie’. Only at the keyboard did she have a cigarette out of her mouth. Annie Fischer (1914–1995) was one of...

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Still crazy after all these years

It says something about Kate Bush’s standing in the music world that, perhaps uniquely in the history of long-awaited live comebacks, nobody has suggested — or possibly even thought — that her motives...

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Buried treasure

One might have expected the streets of Edinburgh, especially at festival time, to bear some evidence of the political struggle currently engulfing our nation, but in fact there was none at all....

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Power of one

As everybody in the world except me seems to have seen Kate Bush’s live shows — against all apparent arithmetical sense — these have been gloomy weeks in the primary Berkmann residence. Even the mother...

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Bach triumphant

A few weeks ago I was at the perfect wedding. My young friend Will Heaven, a comment editor at the Telegraph, married the beautiful Lida Mirzaii, his girlfriend since university. The service was in...

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Class of ’73

The death of Christopher Hogwood has deprived the world of the most successful exponent of early music there has ever been, or is ever likely to be. It has also reduced by one the quartet of conductors...

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Psycho thriller

I had a fair idea of what I was in for when I went to see The Fall at Brixton’s Electric last Friday. They’re a middle-aged band from Manchester, just like the Stone Roses, or the various incarnations...

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Yes men

My favourite comment about the Scottish referendum came from the eminent comedian and novelist David Baddiel. ‘What if Yes wins, but due to a typographical error, the prog-rock band gets in and Jon...

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What iff?

Would musical history have turned out differently if Alexander Glazunov hadn’t been smashed out of his wits when he conducted the first performance of Rachmaninov’s Symphony No. 1 in D minor? The best...

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Cultural revolution

We have read about the remarkable opening up of China in recent years: how many people live there and how good they are at business, perhaps finding the prospect of them rushing into our world rather...

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Gospel truth

‘I’m starting to think that all of the world’s major problems can be solved with either oyster sauce or backing vocals.’ That was Brian Eno writing in his diary one evening, after a long day’s thinking...

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Second coming

Earlier this month the Wigmore Hall was sold out for a Schubert recital by a concert pianist whose only solo recordings consist of two volumes of the Mozart piano sonatas. That would be understandable...

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Chorus of approval

One of the growth areas of contemporary music is in setting sacred texts. It might be thought that I had a special interest in claiming this, but in fact what I am about to describe represents a sea...

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The power of hate

With seconds to spare, I think I have chanced upon my music book of the year. Such choices are always frighteningly subjective, relying as they do on the narrow musical tastes of the chooser, his or...

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High and mighty

One of the most complete bars to the authentic performance of both baroque opera and some renaissance polyphony is the current unavailability of castrati. There isn’t much to be done about it of...

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Easy listening

There were two new albums I wanted for Christmas — the Bryan Ferry and the Pink Floyd — and to my delight I got both. Others may prefer the unknown and the experimental as presents, but at this time of...

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